Name: Vivaldi: Sonata 5 - IV. Allegro 维瓦第：第五奏鸣曲 - 第四乐章 快板 | 视频 | 干净世界 - 运用科技 回归传统价值 干净影视 免费看电影 干净校园
Uploaded: 2024-01-31T13:47:00.000Z
Duration: 1 min 3 s
Description: 【Classical music and nature 古典音乐小站】Antonio Vivaldi: Sonata 5 - IV. Allegro. This beautiful piece was... | 视频 | 干净世界 - 运用科技 回归传统价值 干净影视 免费看电影 干净校园

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【Classical music and nature 古典音乐小站】Antonio Vivaldi: Sonata 5 - IV. Allegro. This beautiful piece was played by Telemann Trio. It has Creative Commons license (PDM 1.0 DEED, Public Domain Mark 1.0 Universal) and is provided through www.musopen.org.

Antonio Vivaldi began composing operas while he was still working at the Ospedale della Pietà. Starting with Ottone in villa, first performed in Vicenza in 1713, over fifty operas were to follow by 1739. In addition to his position at the Ospedale della Pietà, Vivaldi increasingly took on the role of impresario at the Venetian Teatro Sant'Angelo. In 1716, on the occasion of the Venetian-Turkish war, Vivaldi composed a patriotic oratorio, Juditha triumphans, based on the Book of Judith.

After disputes in Venice, he moved to Mantua in 1718, where he worked in the service of Prince Philip of Hesse-Darmstadt, mainly as artistic director and opera composer. After 1721 he travelled to Rome several times, performed twice for the Pope and received many commissions for opera and sacred music.

In 1726 he returned to his native Venice as musical director of the Teatro Sant'Angelo. There he became a living legend, both as a composer and as a violin virtuoso, and a place of pilgrimage for many musicians from all over Europe. It was at this time that he met Anna Girò, then 16 years old, a singer of French origin (originally Giraud), who from then on accompanied him on his travels. Between 1729 and 1733, Vivaldi visited many northern Italian cities (Verona, Ancona, Reggio and Ferrara) and probably also Prague, where two of his operas were premiered.

Around 1730, musical tastes began to change. Vivaldi's compositions were less and less appreciated by the Venetian public. This is probably why he moved to Vienna in 1740 to seek the support of Emperor Charles VI, who died in October 1740. Once the most famous musician in Europe, Vivaldi went unnoticed by the Viennese musical world.

Vivaldi died ten months after his arrival in Vienna and was buried on 28 July 1741 in a simple grave in the Spitaller Gottsacker in front of the Kärntnertor, where the main building of the Vienna University of Technology (Karlsplatz 12) stands today. There is a commemorative plaque in his honour. Vivaldigasse in Vienna's Favoriten district was named after him in 1972.

The flowers were filmed by Christian Schlegel, the video was edited by Wenjing Ma.

【古典音乐小站】安东尼奥·维瓦第：第五奏鸣曲 - 第四乐章 快板。这首美妙的作品由泰勒曼三重奏演奏。它拥有创意共用许可（PDM 1.0 DEED，公众领域标志 1.0 通用）并通过www.musopen.org提供。

安东尼奥·维瓦第在仍在皮耶塔孤儿院工作时开始创作歌剧。从1713年在维琴察首次上演的《奥托内在别墅》开始，到1739年共创作了五十多部歌剧。除了在皮耶塔孤儿院的职位外，维瓦第越来越多地扮演威尼斯圣安吉洛剧院的经纪人角色。1716年，为庆祝威尼斯-土耳其战争，维瓦尔第根据《朱迪特》一书创作了爱国剧《朱迪特凯旋》。

在与威尼斯发生争执后，他于1718年搬到曼图亚，在黑森-达姆施塔特的菲利普王子麾下工作，主要是艺术总监和歌剧作曲家。1721年后，他多次前往罗马，两次为教皇表演，并获得许多歌剧和宗教音乐的委托。

1726年，他回到故乡威尼斯，成为圣安吉洛剧院的音乐总监。在那里，他成为了传奇人物，无论是作为作曲家还是小提琴演奏家，都是许多来自欧洲各地的音乐家的朝圣之地。就在这个时候，他遇到了当时16岁的安娜·吉罗，她是法国裔的歌手（原名吉罗），从那时起陪伴他旅行。在1729年到1733年间，维瓦尔第访问了许多意大利北部城市（维罗纳、安科纳、雷焦和费拉拉），可能还有布拉格，他的两部歌剧在那里首演。

大约在1730年左右，音乐品味开始改变。维瓦第的作品在威尼斯公众中越来越不受青睐。这可能是他1740年搬到维也纳寻求查理六世皇帝支持的原因，该皇帝于1740年10月去世。曾是欧洲最著名的音乐家的维瓦第，在维也纳音乐界默默无闻。

维瓦第在抵达维也纳十个月后去世，于1741年7月28日被埋葬在施皮塔勒戈茨阿克尔的一个简单墓地中，该

地点今日为维也纳科技大学（Karlsplatz 12）的主楼所在。那里有一块纪念他的铭牌。1972年，维也纳法沃里滕区的维瓦第街（Vivaldigasse）以他的名字命名。

这些花由克里斯蒂安·舒莱格尔拍摄，影片由马文璟剪辑。





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