Name: Bharat Ek Khoj 30: The Fall of Vijayanagar | Videos | Gan Jing World - Technology for Humanity | Video & Movie Streaming
Uploaded: 2016-09-02T04:00:00.000Z
Duration: 52 min
Description: Bharat Ek Khoj—The Discovery of India A Production of Doordarshan, the Government of India’s Public ... | Videos | Gan Jing World - Technology for Humanity | Video & Movie Streaming

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Bharat Ek Khoj—The Discovery of India
A Production of Doordarshan, the Government of India’s Public Service Broadcaster
Episode 30: The Fall of Vijayanagar

With Salim Ghouse as Ramaraya, Anang Desai as Effendi Aslam Baig, Pankai Berry as Ibrahim Qutub Shah, Ahmed Khan as Hussain Nizam Shah, Arjun Raina as Ali Adil Shah, Raniana Gaur as Tirumalamba, and Rakesh Dhar as Tirumala.

As Nehru notes, in the sunset years of the Hindu kingdom of Vijaynagar, it faced the Bahmani kingdom in the other great state of Gulbarga. The latter is now slit into five states: Bijapur, Golconda, Bidar, Berar and Ahmednagar. There are ample incidents for the involvement of the sultanates in the Vijaynagar succession and vice versa. To enhance his chances, Rama Raya seeks the aid of Bijapur. In fact, Rama Raya seen as a consummate intriguer is safely ensconced as a regent and proceeds to pursue a tortuous policy of advancing Vijaynagar’s frontiers by exploiting the rivalries among Bijapur, Golconda and the other Bahmani successors.

As the events here show, Rama Raya succeeds in fomenting mutual enmities only too well. During 20 years of complex intrigues where Rama Raya believes in making personal appearances rather than sending emissaries, loyal or otherwise, he provokes the sultanates to such an extent that they come to fear for their very survival. He invites, for instance, Adil Shah of Bijapur and entertains him to a spectacular torch- fire dance, before professing fraternal affection for him. This immediately sows discord against Bijapur amongst other sultanates. It appears likely that Rama Raya occasionally outrages their Islamic sensibilities by intruding while ‘namaz’ is being offered by a sultan.

Certainly, and fatally, Rama Raya overstretches those frayed loyalties on which Vijaynagar’s cohesion had depended. In the drama, this becomes evident when the four sultans from the Qutub Shahi, Nizam Shahi, Adil Shahi and Ibrahim Shahi clans patch up their differences and consolidate their gains by judicious inter-marriages in 1564. While Rama Raya refuses to pay heed to the ‘writing on the wall’ and remains blind in his faith in Vijaynagar’s superiority, the four sultans turn on him in concert. To meet the gathering storm, Rama Raya summons his Nayaks even from as far south as Madurai. Most do respond, but the Vijaynagar forces are, as seen in the battle scenes, catastrophically routed in the battle of Talikota in 1565. Rama Raya himself is wounded, a fact initially concealed to prevent loss of morale, but eventually beheaded, and the losses are colossal.

The magnificent city of Vijaynagar, seen with its massive walls and ingeniously designed gatehouses is deserted and the Nayaks withdraw to their individual territories. Still the city, like the kingdom, appears to have suffered less from the conquering fanatics and more from the deepening internal crisis of authority paving the way, among others, for foreign invasions including those by the Portuguese from the high seas.